DOI: https://doi.org/10.7764/ais.49

Published: 2011-06-30

Articles

The importance of viewing in artistic behaviour: historical identity and visual perception

Carmen Porta

11-28

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A matter of time: Michael Fried and the time of modernist art

David Díaz Soto

29-52

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Images in their context: Genealogy, Social representation and Picture imagery of the female body

Alejandra Val

53-66

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The gods’ landscape: Greek sanctuaries of classic age and their natural environment

Ronald Harris Diez

67-83

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Nicanor Plaza and Francisco Gazitúa: dialogue about El Caupolicán

Pedro Emilio Zamorano Pérez

84-100

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New constructions and forms to dismantle memory in three documentaries of autobiographical Argentinean cinema

Memoria familiar

María Laura Lattanzi

101-112

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On Raul Ruiz’s Time Regained: Proust resistances (and Marcel’s Silenced Voice)

Matías Rebolledo

113-130

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The cinematographic countenance

José Santa Cruz

131-144

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Non-fiction literature in Rodolfo Walsh: politicization of art and historical experience

Fabiana Grasselli, Mariano Salomone

145-162

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Cyberpunk Bestiary: About the Imbunche and other Monsters in Ygdrasil by Jorge Baradit

Macarena Areco

163-174

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Jorge Luis Borges’s «The Immortal»: the Self, Infinites, Absolutes, and Final Vocabularies

Jorge Sagastume

175-191

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The Production of a Disappearance. Truth, aura, and technique in Walter Benjamin

Mauricio Barría

192-204

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The heteronomy of the Aesthetics on Gianni Vattimo’s Philosophy

Inmaculada Murcia

205-216

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Experiencing words, secondary meaning and poetry. About the idea of a properly human language in Wittgenstein

Eduardo Fermandois

217-229

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Reviews

Las muertes paralelas

Diamela Eltit

233-245

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El filo fotográfico de la historia. Walter Benjamin y el olvido de lo inolvidable

Rosario Valdivieso  Drago

236-239

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Once ensayos filosóficos

Constanza Terra

240-243

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