Cine y presencia estética
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Abstract
This essay addresses.from the perspective ofPhilosophy, the theme ofpresence as a way ofbeing which requires a certain relation ofproximity and distance in the revelation of identity. This mode ofpresence is projected tofilm language, especially to the image and the word, highlighting their coefficient ofexpressive power and richness, and its capacity to make the represen ted reality specific.
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