Negatividad, esperanza y margen en la estetica de Theodor W. Adorno
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Abstract
In spite ofits reference to social sciences, Adomian philosophy ofthe work ofart constitutes the lastgreat aesthetic account ofthe idealist tradition ofGermany, and perhaps ofthe Western world. Despite its depth, extensión and complexity, this philosophy is partially pertinent to societies ofmarginal industrial countries. The présent text conceptually situates its partial relevancefrom a theoretical presentation and reading that adapts it to a new cultural context.
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