Nueva mirada semiótica a la estética
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Abstract
The interpretation difficulties, on the part of the aesthetic speech on arte are born of what we can call 'semantic opening', a sort of indetermination. Why persists the difficulty of signic interpretation in the aesthetic speech on the art? The Kantian ideas of the XVIII century, so decisive for the development of aesthetics in the XX century, can be examined in the light of semiotics. This heterogeneous approach can contribute with non self-referring arguments. I will examine the four `moments' of the Kantian aesthetic judgment from the Peircean notions viewpoint/perspective.
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