Reflections around the uncanny in two scenes of the japanese novelist Haruki Murakami
Article Sidebar
Main Article Content
Abstract
Based on the texts of Heidegger and Freud, this article intends to give an account of the concept of the uncanny and to apply it to some of the novels of the Japanese Haruki Murakami. Thus, the uncanny is presented as a sign loaded with a wide range of significations which span ‘the familiar’ (heimlich) touching on ‘creeping horror’ to end at the ‘ominous’.
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
All contents of this electronic edition are distributed under the Creative Commons license of "Attribución-shareAlike 4.0 Internacional" (CC-BY-SA). Any total or partial reproduction of the material must mention its origin.
The rights of academic works published in this publication belong to their authors., who grant to AISTHESIS: Revista Chilena de Investigaciones Estéticas the license for its use. The management of the permits and the authorization of the publication of the images (or of any material) that contains copyright and its consequent rights of reproduction in this publication is the sole responsibility of the authors of the articles