Critical Views on Post-dramatic Theater
Article Sidebar
Main Article Content
Abstract
When analyzing post-dramatic theater, the critique, both from the academy and the media, reveals a kind of hermeneutic uneasiness which is often resolved by pointing out different degrees of reality on stage. Although pertinent, this mechanism works as an interpretative limitation. This article intends to propose the translation theory as a possible key of reading in order to overcome or, at least, to complement that critical limitation. With this aim, the author considers the staging of Los muertos (Ensayo sobre representaciones de la muerte en la Argentina) (2006) by Beatriz Catani and Mariano Pensotti, based on «The dead», the welllknown James Joyce´short story
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
All contents of this electronic edition are distributed under the Creative Commons license of "Attribución-shareAlike 4.0 Internacional" (CC-BY-SA). Any total or partial reproduction of the material must mention its origin.
The rights of academic works published in this publication belong to their authors., who grant to AISTHESIS: Revista Chilena de Investigaciones Estéticas the license for its use. The management of the permits and the authorization of the publication of the images (or of any material) that contains copyright and its consequent rights of reproduction in this publication is the sole responsibility of the authors of the articles