Raúl Ruiz Through the Looking Glass: from Representation to Allegory
Article Sidebar
Main Article Content
Abstract
The following essay is divided into two parts entitled “From This Side” and “From the Other Side”. The main objective is to analyze the work of the Chilean fi lmmaker Raúl Ruiz, both in Chile before the coup, and in France after it, so as to see the continuities and discontinuities in his work, where aesthetics, politics, exile and the position of a Latin American subject coincide
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
All contents of this electronic edition are distributed under the Creative Commons license of "Attribución-shareAlike 4.0 Internacional" (CC-BY-SA). Any total or partial reproduction of the material must mention its origin.
The rights of academic works published in this publication belong to their authors., who grant to AISTHESIS: Revista Chilena de Investigaciones Estéticas the license for its use. The management of the permits and the authorization of the publication of the images (or of any material) that contains copyright and its consequent rights of reproduction in this publication is the sole responsibility of the authors of the articles