Performative Enunciation and Esthetic Politicization in La virgen de los sicarios by Fernando Vallejo
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Abstract
This paper intends to read in La virgen de los sicarios by Fernando Vallejo a set of performative operations leading to an artistic politic process that understand dis-alienation as a sensitive regeneration (affective), exerting a resistance to biopower through an ethic of respect of life; a paradigmatic situation in Vallejo’s text that also reaches to other contemporary artistic productions in Latin America.
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