For an Archaeology of Consciousness: the cardinality of music in María Zambrano’s work
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Abstract
Our work is a theoretical study aimed at explaining the paradigmatic or cardinal role of music within María Zambrano’s work, proposing its solidarity with the state of primordial consciousness to which it leads. We will consider the metarritmisis of the philosopher’s discourse as the progressive discovery of such solidarity, examining how Zambrano exposes this metamorphosis through Antigone’s suffering.
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