Modernity and Internationalization: Art in Colombia (1943-1956)
Article Sidebar
Main Article Content
Abstract
Colombian artists were invited to participate in exhibition events abroad between 1943 and 1956. Three of them, which reveal dynamics for Western art, guide the structure of this article: The Latin-American Collection of the Museum of Modern Art (1943), 32 artistas de las Américas (1949) and the Hispano-American Biennial of Art (1951-1956). The research analyzes this period of artistic mobility and its effects, relying on secondary sources and information contained in documents belonging to the Museo Nacional de Colombia, the Museo de Arte de las Américas, The Museum of Modern Art (MoMA) and the Museo Nacional Centro de Arte Reina Sofía.
Article Details
All contents of this electronic edition are distributed under the Creative Commons license of "Attribución-shareAlike 4.0 Internacional" (CC-BY-SA). Any total or partial reproduction of the material must mention its origin.
The rights of academic works published in this publication belong to their authors., who grant to AISTHESIS: Revista Chilena de Investigaciones Estéticas the license for its use. The management of the permits and the authorization of the publication of the images (or of any material) that contains copyright and its consequent rights of reproduction in this publication is the sole responsibility of the authors of the articles